![]() Mackintosh East Asian Pop Culture: Analysing the Korean Wave, edited by Chua Beng Huat and Koichi Iwabuchi Horror to the Extreme: Changing Boundaries in Asian Cinema, edited by Jinhee Choi and Mitsuyo WadaMarciano TV Drama in China, edited by Ying Zhu, Michael Keane, and Ruoyun Bai Other titles in the series: The Chinese Exotic: Modern Diasporic Femininity, by Olivia Khoo Cinema at the City’s Edge: Film and Urban Networks in East Asia, edited by Yomi Braester and James Tweedie Cultural Studies and Cultural Industries in Northeast Asia: What a Difference a Region Makes, edited by Chris Berry, Nicola Liscutin, and Jonathan D. As reliance on national frameworks becomes obsolete in many traditional disciplines, this series spotlights groundbreaking research on trans-border, screen-based cultures in Asia. Films are packaged at international film festivals and marketed by DVD companies as “Asian,” while the descendents of migrants increasingly identify themselves as “Asian,” then turn to “Asian” screen cultures to find themselves and their roots. ![]() TransAsia: Screen Cultures Edited by Koichi IWABUCHI and Chris BERRY What is Asia? What does it mean to be Asian? Who thinks they are Asian? How is “Asian-ness” produced? In Asia’s transnational public space, many kinds of cross-border connections proliferate, from corporate activities to citizen-to-citizen linkages, all shaped by media - from television series to action films, video piracy, and a variety of subcultures facilitated by internet sites and other computer-based cultures. Korean masculinities and transcultural consumption
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